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King Lear


JUNE 2007
FREE SHAKESPEARE IN THE PARK

By William Shakespeare
Directed by J. Clark Nicholson

CREW

Jamie Tyrrell

  Assistant Director
Allen D. Marshall   Set Designer, Technical Director
Jen Kilander   Costume Designer
Mike Banks   Music/Sound Designer
Karen M. Gasser   Lighting Designer
Karen Ruch   Production Manager
Zachary O. Breach   Stage Manager

CAST

Sean Adams
Antipholus of Syracuse

Sean McCornack
Antipholus of Ephesus

Amber Mann
Dromio of Syracuse

Bill D'Agostino
Dromio of Ephesus

Tara Bradway
Adriana

Kendy Gable
Luciana

Alexis Dow
Aemillia/Courtesan

Rob Kopko
Aegeon

Kyle M. Thatcher
Angelo

Richard Johnson
Duke Solinus

Kent McNeillie
Balthasar/Dr. Pinch/Second Merchant

Jeannine Snyder
Luce

Ryan Rash
Gaoler

Emily Gray
First Merchant

Lee Ann Hoover
Servant

Jud "Pop" Nicholson   Scenic Painter
Dr. Noel Sloboda   Dramaturg
Derek Jacobs   Assistant Stage Manager
Brianna Dow   Properties Assistant, Production Assistant
Eli Charleston   Music Performer
Joe Gualtier   Sound Assistant
Phillip Mann   Lighting Assistant
Sara Ross   Costume Assistant
Robinson Smith   HSF Artwork/Logos
Matthew Dunphy   Program Design
    ...more credits below
  Brianna Dow   Photographer
  Jennie Kelley   Office Manager
  Alexis Dow   Program Coordinator
  Amber Mann   Volunteer Coordinator
  Krista Carter   Assistant House Manager
  Tim Parsons, Mike Ross, Ron Rash   Technical Assistants
  Alexis Dow   Costume Shop Liaison
 

The Comedy of Errors is Shakespeare's first play, and by far one of his most farcical. We had a record-breaking year in terms of attendance, over 3000 people attended the show!

The Comedy of Errors follows identical twins (both called Antipholus) with identical manservants (both called Dromio), separated in infancy by outrageous circumstances. One Antipholus now lives with his Dromio, his wife Adriana and her sister Luciana in Ephesus, while the other pair has just arrived from Syracuse. A romp of mistaken identity and misunderstandings ensue, resulting in a reunion of separated twins and their parents.

The play's resolution is so complete and its comedy is so light and frothy that it seems Hollywood-esque, which inspired Nicholson to set the film in the beginning of the silent film era.

“The spirit of the play is in keeping with those classic comedies, like Laurel and Hardy, Harold Lloyd, Buster Keaton,” says Nicholson, “it's a true situation comedy, a celebration of a ridiculous situation. I feel that The Comedy of Errors is a direct ancestor of that type of humor.”

 
 
 

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