SEPTEMBER 2001
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| Amy Bowman | Production Stage Manager | |||||||||||||||||
| Judson Nelson | Scene Designer, Painter/Carpenter | |||||||||||||||||
| Angela Scimonelli | Costume Designer | |||||||||||||||||
| Karen Gasser | Lighting Designer | |||||||||||||||||
| Mike Banks | Sound Designer | |||||||||||||||||
| Josh Drumwright | Technical Director | |||||||||||||||||
| Kate Magill | Head Costumer | |||||||||||||||||
CASTAl Baker |
Susan Ladeda Baker | Assistant Stage Manager | ||||||||||||||||
| Tim Parsons | Assistant Technical Director | |||||||||||||||||
| Tim & Martha Griffin Stanton | Properties Masters | |||||||||||||||||
| Dee Bell | Production Assistant | |||||||||||||||||
| Kent McNeillie | Sound Operator | |||||||||||||||||
| Joy Breach | Volunteer Coordinator | |||||||||||||||||
| Jon Halcovage | Box Office Manager | |||||||||||||||||
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| The Lion in Winter details the dysfunctional Plantagenet family's Christmas Court in 1183 at the Castle of Chinon. The games are vicious and the stakes are high - only the kingdom and the crown. James Goldman's witty dialogue and complex characterizations show us how we can do the most hurtful things to those we love, even though it can cause the most damage to ourselves.
Angela Scimonelli (Costume Designer) and Judson Nicholson (Scenic Designer) created a visual world that hinted at the medieval period of the Plantagenets, while combining the barbarism of this brilliant royal family with the modern relevance of their emotional politics. |
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